(2 November 1699 - 6 December 1779) was an 18th-century French painter. He is considered a master of still life, and is also noted for his genre paintings which depict kitchen maids, children, and domestic activities. Carefully balanced composition, soft diffusion of light, and granular impasto characterize his work. Chardin was born in Paris, the son of a cabinetmaker, and rarely left the city. He lived on the Left Bank near Saint-Sulpice until 1757, when Louis XV granted him a studio and living quarters in the Louvre. Chardin entered into a marriage contract with Marguerite Saintard in 1723, whom he did not marry until 1731. He served apprenticeships with the history painters Pierre-Jacques Cazes and Noël-Nicolas Coypel, and in 1724 became a master in the Academie de Saint-Luc. According to one nineteenth-century writer, at a time when it was hard for unknown painters to come to the attention of the Royal Academy, he first found notice by displaying a painting at the "small Corpus Christi" (held eight days after the regular one) on the Place Dauphine (by the Pont Neuf). Van Loo, passing by in 1720, bought it and later assisted the young painter   Related Paintings of Jean Simeon Chardin :. | Stilleben mit Porzellankanne | Die Morgentoilette | Uva y granada | The Copper Drinking Fountain | The House of Cards |
Related Artists:
Dante Gabriel Rossetti
English Pre-Raphaelite Painter, 1828-1882 Rossetti's first major paintings display some of the realist qualities of the early Pre-Raphaelite movement. His Girlhood of Mary, Virgin and Ecce Ancilla Domini both portray Mary as an emaciated and repressed teenage girl. His incomplete picture Found was his only major modern-life subject. It depicted a prostitute, lifted up from the street by a country-drover who recognises his old sweetheart. However, Rossetti increasingly preferred symbolic and mythological images to realistic ones. This was also true of his later poetry. Many of the ladies he portrayed have the image of idealized Botticelli's Venus, who was supposed to portray Simonetta Vespucci. Although he won support from the John Ruskin, criticism of his clubs caused him to withdraw from public exhibitions and turn to waterhum, which could be sold privately. In 1861, Rossetti published The Early Italian Poets, a set of English translations of Italian poetry including Dante Alighieri's La Vita Nuova. These, and Sir Thomas Malory's Morte d'Arthur, inspired his art in the 1850s. His visions of Arthurian romance and medieval design also inspired his new friends of this time, William Morris and Edward Burne-Jones. Rossetti also typically wrote sonnets for his pictures, such as "Astarte Syraica". As a designer, he worked with William Morris to produce images for stained glass and other decorative devices. Both these developments were precipitated by events in his private life, in particular by the death of his wife Elizabeth Siddal. She had taken an overdose of laudanum shortly after giving birth to a stillborn child. Rossetti became increasingly depressed, and buried the bulk of his unpublished poems in his wife's grave at Highgate Cemetery, though he would later have them exhumed. He idealised her image as Dante's Beatrice in a number of paintings, such as Beata Beatrix. These paintings were to be a major influence on the development of the European Symbolist movement. In these works, Rossetti's depiction of women became almost obsessively stylised. He tended to portray his new lover Fanny Cornforth as the epitome of physical eroticism, whilst another of his mistresses Jane Burden, the wife of his business partner William Morris, was glamorised as an ethereal goddess.
Jan Vermeer
Dutch Baroque Era Painter, 1632-1675 Johannes (or Jan) Vermeer is now recognized as one of the great Dutch painters, but while he was alive he could barely make ends meet, and his artistic achievement was almost entirely ignored for 200 years after his death. Little is known about his personal life, other than he died poor and young and left behind a wife and eleven children. Vermeer is admired for his realistic style, his subtle use of color and light and his unusual and inventive brush technique, but fewer than forty of his paintings exist. His most famous works include domestic scenes such as Girl With a Peal Earring (1665) and The Music Lesson (1662-65), and tranquil landscapes such as The Little Street (1657-58) and View of Delft (1659-60). Although his actual birth and death dates are unknown, Vermeer was baptized 31 October 1632 and buried 15 December 1675... During his career he used the names Johannes van der Meer, Johannes Vermeer and Jan Vermeer
Janis Rozentals
(March 18, 1866, Bebri Farmstead, Saldus parish, Courland Governorate - December 26, 1916) was a Latvian painter. Rozentels received the basic education at H.Krause's Elementary School in Saldus and Kuldega District School. At the age of fifteen the boy left for Riga and consistently tried to realize his dream about art, later entering St.Petersburg Academy of Art. During study vacations the developing artist visited his native land to relax from the hectic rhythm of the large city, paint motifs from nature and commissioned portraits. For his diploma work he took as models the young educated Latvians and local farmers. A little later the artist decided to settle in Saldus as he wanted to live among his people and create art appropriate to its aspirations and feelings. In spring 1899 Rozentels bought a building plot at the Striķu street and set up a studio, but his intents were not well received in the provincial town and he moved to Riga two years later. Now a memorial museum is arranged in the building designed by the artist. Fateful turn in life of the painter happened in November, 1902, when Janis Rozentels got acquainted with Elli Forsell(1871 - 1943), a Finnish singer, in Riga. On February 20, 1903, they got married. They found home in a flat- studio, in Alberta street, in Riga. they had three children - Laila, Irja and Miķelis. World War I interrupted the family's life in Riga and in 1915 they relocated to Finland. He died suddenly on December 26, 1916 and was buried in Helsinki, though later was reburied in his homeland. Today, the Janis Rozentels Art Highschool in Riga is named after him, and has had his name since 1946.